This Floating Excrement Was Way Too Symbolic! It's the Television Letdowns of the Year.

As we consider the TV landscape of the past year, a selection of shows emerge not for their brilliance, but for their notable shortcomings. From awkward spin-offs to bafflingly poor documentaries, here are the productions that had us scratching our heads or simply reaching for the remote.

The 'Sex and the City' Sequel

Where to begin with this love/hate spin-off? Plagued with dreadful writing, painful character development (justice for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the show struggled to justify its existence. For a moment, as the third series began, it seemed as if it had finally found its groove. Then arrived an installment all about Seema’s natural deodorant. No wonder the showrunner announced this would be the last series. It ended on a low point; the lingering shot of Miranda’s toilet flooded with poo was simply too symbolic. Still, fans certainly had a hoot dissecting every single “wtf?” moment. And as Carrie – once again single – twirled around her sprawling townhouse to Barry White, who didn’t release a small sob?

The Kim Kardashian Drama

‘Can Kim Kardashian act? The answer is a resounding no.’

But that was almost the least of this drama's issues. The subject of a very rare no-star review, it was hard to know where to start listing the flaws. The hilariously wooden dialogue? The tedious glorification of wealth and materialism? The seemingly wilful procession of tropes? Acting so bad they felt borderline spiteful? Let’s just say “each and every one” and forget about this show again. Except, a new season has been ordered, so we’re probably going to have to.

AKA Charlie Sheen

Considering the legal troubles, domestic violence allegations and parental shortcomings, it’s fair to say Charlie Sheen has been a troubled figure. Not you’d really have known it from this three-part documentary which smirked its way at Sheen’s various episodes of reckless hedonism while failing to tell us a single thing we didn’t already know. Rather, it felt as if this loose cannon was being pandered to, so any pity this series might evoke should be saved for the people who have had to suffer close contact with this charismatic but flippant narcissist.

The Iris Affair

Of course we understood it was preposterous from the outset: a drama about a AI known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We stuck with it out of sheer admiration for its leads … but by the end, it felt like even they had given up trying. One barely reacted when his character died, and the other ended up slicing Charlie with an axe … in super slow-motion. Talk about giving up the ghost.

The Gangster Drama

Dodgy characters convening in deserted boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and demands its gangland drama back.

Actually, that is harsh on the crime shows of the late 90s. Many look a bit old-fashioned now, but at least they didn’t endure the ignominy of having to indulge unconvincing dialects. But there were many other problems. Mainly that it was just profoundly boring; a dispute over narcotics territory between various cockney picaresques which felt rather simplistic.

With Love, Meghan

Given the degree to which she grinds the gears of certain performatively enraged commentators, it’s temptingly tempting to admire the Duchess of Sussex’s televised forays into quaint homemaking as intentional provocations. But then you view them and are forced to admit that in this case, they might have a point. It’s like watching a lifestyle catalogue come to life; a meme for wine o’clock with ideas of grandeur; a parade of snoozing dogs, buzzing beehives, Hallmark sayings and forgettable crafting “hacks” you’ll forget instantly. All supported by vast, largely undeserved wealth. Ugh.

Victoria Beckham

There are obviously interesting things to be said about regarding Victoria Beckham and her journey with vocation, self-image, self-acceptance. But for whatever reason, this documentary series chose not to explore them. Instead, the viewing was like reading a marketing catalogue. She clearly has good reason to resent what she describes as her “stern” image. But sadly, she failed to do herself any helps with this guarded non-event of a series.

The Inheritance

It should have been the next cultural phenomenon – except even more extravagant, with a famous star playing dead and a well-known personality managing her estate. What more could you ask for? As players battled it out, there was plenty of betrayal and squabbling. But the rules quickly became bewildering: it’s still too confusing to explain what precisely was happening. Even more disappointingly, we only saw brief appearances of the star via filmed videos. The show ended up smelling of a programme that was straining desperately to live up to something way beyond it.

The Lena Dunham Romcom

How do you succeed a show that defined a generation? The expectation was enormous for this starry romantic comedy about Jessica, a rosy-eyed New Yorker who arrives in London with a broken heart. The star seized the opportunity by the horns and was a delight to watch, reveling in Austen levels of romantic ideals. But it was all very glossy and, ironically, was insufficient. Plus, the abundance of celebrity cameos involved felt uncomfortable.

Mitchell & Webb Are Not Helping

Not even good enough to be ‘uneven’.

Given the smart inclusion of gifted younger comics, expectations were high. But unhappily, most of it didn’t land. A particular sketch was a single joke stretched to a dry pulp but repeated in every episode. One star seemed too ready to slip into a familiar irate mode. The writing room sketches, in contrast, simply provoked the idea that they should probably have stayed in there a while longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely showcased the perspective of Amanda Knox. So, while there undoubtedly is an interesting drama to be made about the horrific 2007 murder, this was not it. The material needed to be handled sensitively. Instead, the series struggled painfully to find the right tone, lurching from oddly jaunty, somewhat mannered farce to inevitably, real-life horror. Twisted? Perhaps. A complete mess? Very much so.

Prime Target

We admire the star … but did we buy him playing the greatest maths genius since, a man so intelligent he’s on the brink of a breakthrough that could destabilise society? Nope! This globe-trotting thriller about secret services spying on – and eliminating – academics frankly got more absurd by the second. Silliness-by-numbers.

The Bonnie Blue Documentary

This hagiography followed the online personality renowned for sexual escapades as she undertook her most extreme feat yet. What on earth would possess her? What we craved was far greater examination of her actual psyche, plus those of the men in the queue. They could at least have interviewed the legendary mum who appeared to drag her son out of the queue. What we got was disturbing shots and zero interrogation of her notoriety whatsoever. It's staggering to consider, the filmmaker has a young daughter too.

Alicia Tanner
Alicia Tanner

Elena is a seasoned journalist and blogger with a passion for uncovering stories that matter to everyday life in the UK.